What Is a Block Outline? The point-by-point structure establishes a body paragraph for each comparison or contrast point, while the block method uses one paragraph for each object being compared or contrasted. A block outline sets up the paper to use this block organizational method.
Instead it is an explanation of visual structure, of the ways in which certain visual elements have been arranged and function within a composition. Strictly speaking, subject is not considered and neither is historical or cultural context.
The purest formal analysis is limited to what the viewer sees. Because it explains how the eye is led through a work, this kind of description provides a solid foundation for other types of analysis. It is always a useful exercise, even when it is not intended as an end in itself.
The British art critic Roger Fry played an important role in developing the language of formal analysis we use in English today. Inspired by modern art, Fry set out to escape the interpretative writing of Victorians like Ruskin.
He wanted to describe what the viewer saw, independent of the subject of the work or its emotional impact. Relying in part upon late 19th- and early 20th-century studies of visual perception, Fry hoped to bring scientific rigor to the analysis of art. Even more important were his studies as a painter, which made him especially aware of the importance of how things had been made.
One of the most influential systems was created by the 17th-century French Academician Roger de Piles His book, The Principles of Painting, became very popular throughout Europe and appeared in many languages.
Color, both as establishing a general key and as setting up a relationship of parts; line, both as creating a sense of structure and as embodying movement and character; light and dark, which created expressive forms and patterns at the same time as it suggested the character of volumes through light and shade; the sense of volume itself and what might be called mass as contrasted with space; and the concept of plane, which was necessary in discussing the organization of space, both in depth and in a two-dimensional pattern.
Towering over all these individual elements was the composition, how part related to part and to whole: A Study of His Development. Fry made his argument through careful study of individual paintings, many in private collections and almost all of them unfamiliar to his readers.
Although the book included reproductions of the works, they were small black-and-white illustrations, murky in tone and detail, which conveyed only the most approximate idea of the pictures.
Nonetheless, he set out to make his case with words. The lengthy analysis of the picture begins with a description of the application of paint. This was, Fry felt, the necessary place of beginning because all that we see and feel ultimately comes from paint applied to a surface.
After a digression about how other artists handled paint, Fry returned to Still-life with Compotier. These strokes are strictly parallel, almost entirely rectilinear, and slant from right to left as they descend.
And this direction of the brush strokes is carried through without regard to the contours of the objects. The size of the strokes, their shape, the direction they take on the canvas, and how they relate to the forms they create are all explained.
Already the painting seems very specific.
On the other hand, the reader has not been given the most basic facts about what the picture represents. For Fry, that information only came after everything else, if it was mentioned at all. Each form seems to have a surprising amplitude, to permit of our apprehending it with an ease which surprises us, and yet they admit a free circulation in the surrounding space.A compare-contrast essay examining similarities or differences between objects, people or concepts can be organized in two formats: point-by-point or block.
The point-by-point structure establishes a body paragraph for each comparison or contrast point, while the block method uses one paragraph for each object being compared or contrasted.
Comparison/Contrast Essay Paper instructions: Compare and contrast who you are now and who you were in 8th grade (or thereabouts). You may use either the alternating or block style to organize your paper.
The Structure of Comparison and Contrast Comparison and contrast has two methods of organizing material. The thesis must contain only two objects . One of the most common is the comparison/contrast essay, in which you focus on the ways in which certain things or ideas—usually two of them—are similar to (this is the comparison) and/or different from (this is the contrast) one another.
Outline for a compare and contrast essay block style. However, the And that bullying contrast be alleviated is the essay block why schools should implement the wearing of uniforms, grupobittia.comg Started An analytical essay is helpful when a more full.
In the block method, there is a stark contrast between the first half of the essay and the second half of the essay. They speak about two entirely different concepts.
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